Multiple sections of the source audio can be highlighted, and once you’ve done this you simply hit the Create Targets tab below. This opens an additional panel from which you can load and manage up to 20 source files.īy setting the respective DAW track to input monitor, source files can be auditioned within the plugin and this helps you choose which sections to use to create the target EQ curve. To access this feature you click on the target icon next to the preset browser. In addition to the included presets, Mixroom can create a target curve from an audio file, allowing you to match your current audio to an existing track or mix. On balance we felt that having a bigger choice of instrument presets would certainly help. On individual instruments the results were more varied and although we had great results with piano, strings and individual drums sounds, the overall drum kit settings were less successful.įurthermore, on sounds that needed very heavy EQ, Mixroom didn’t always prove itself able to deliver enough boost to match the target curve. Similarly, for the more experienced engineers out there, the presets provide insight into the overall tonality of different genres, and we particularly liked using the handful of Star Engineer presets. Includes an excellent analysis and EQ curve generation feature.Īudio analysis and simple controls for wonderfully intelligent EQing. So, as a mix tweaking processor it’s great, providing a quick way for a novice to get a handle on how their overall mix EQ stacks up. In use the analysed target is easy to reset if you need to try a different section.
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Understandably, you need to select a representative section of audio to analyse, and this is particularly true if you’re processing a full mix, as the frequency content may change considerably from section to section. So, does it work? We tried Mixroom on a number of individual tracks, submixes and mixes and for the most part the results were very good. You can then try to match the EQ curve, which is grey, either manually or intelligently by selecting the Add Smart Bands option, which creates the required bands with suitable frequency, bandwidth and gain settings. This generates a green target EQ curve visible down the sides. The second part is the analysis of your audio, which takes a few seconds when you start playback. The first part is a target curve, sourced from more than 100 instrument and mastering presets or by loading up a reference audio file (see boxout). However, Mixroom’s true power lies in its intelligent EQing capability and this has two aspects. That being said, the vertical layout makes more sense – although it does take a bit of getting used to, as does the fact that the EQ doesn’t handle the bass frequencies. The plugin opens as a blank canvas to which you can add bands individually or collectively. If you’re confident enough at EQing then Mixroom makes for a pretty decent experience. Rounding things off is global bypass and output level, and this incorporates a suggested trim to help you match pre and post EQ levels.
Note that neither setting offers massive cut and boost or super narrow bandwidths.
This influences the overall gain and Q bandwidth available, with the mastering setting offering a maximum of +/-4dB and mixing +/-12dB. The overall EQ mode can be set to either linear or minimum phase, and there’s an additional global option to set the EQ to either mixing or mastering mode. However, there’s no low shelf option or high and low pass filters. Bands up to 1.6kHz are peak shape and above this can be set to either peak or shelving. You can also process just the mid or just the sides component alone, though not both independently using the same band.īands can overlap completely, so you could use two bands to achieve this outcome or simply as a way to achieve more gain at a specific frequency. Mixroom’s true power lies in its intelligent EQing capability, done by target and analysisĮach band includes solo, bypass and the option to rebalance the mid and sides components.
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